The vocabulary used to describe crafts and textiles is rich, varied, specialized and often unfamiliar. This glossary has been conceived as a guide whose purpose is to provide as introductory survey over this very wide field. The explanation and or definition of the most commonly used terms are intended to furnish a preliminary insight into the subject in an attempt to facilitate a deeper understanding of this very complex and vast subject.
When combined with the Bibliography section it seeks to serve as a guide for further study.
Note:
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Back strap tension loom |
(Also, Back tension loom, Body tension loom) – A two bar frameless loom with back strap belt or wooden yoke passing around the weaver’s back and secured to the breast beam. The weaver controls the tension of the warp yarns by leaning forwards or backwards against the strap, while at the other end of the warp, another beam, known as the warp beam, is held secure. |
Batik |
A resist dyeing process in which a substance such as hot wax or rice paste is applied to the surface of the fabric as a resist to dyes to form undyed areas of pattern. The resist is removed by boiling, melting or scraping after dyeing. |
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Chai Lao |
Japanese programme to update Lao silk textiles to meet standards for the Japanese market and includes testing of dyes, consumer labeling and product design. |
Chaw faa |
Sky clusters |
Cheeng |
Cymbals |
Continuous supplementary weft |
Supplementary weft patterning in which the ornamental weft threads are carried back and forth across the full width of the cloth |
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Daav daav |
Bamboo humming fork |
Deet Fai |
Carding. Fibres are fluffed out and cleaned further. |
Discontinuous supplementary weft |
Supplementary weft weaving in which extra weft threads are worked back and forth across limited areas of warp to shape pattern units. |
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Eeow Fai |
Ginning. Raw cotton is rolled between two wooden cylinder to refine it and remove all seeds from the fibre |
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Foot-braced Loom |
A two bar frameless loom, with one bar secured to a back strap for controlling tension and the other bar braced against the weaver’s feet. A type of back strap tension loom |
Frame Loom |
A type of non mechanical loom in which a wooden frame permits the tension on the warp threads to be regulated by the beams without the need for the back strap operation of the earlier types of loom |
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Groong wwt |
Friction Earth Drum |
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Heua Fai |
Banana boats used during Lao festivals. |
Ho kong |
Drum tower |
Ho rakhang |
Bell tower |
Ho tai |
Library |
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Ikat |
The resist dye technique in which designs are reversed in warp or weft yarns by the tying of small bundles of yarn with palm leaf strips or similar materials to prevent the penetration of dye. For each colour additional tying or partial removal of the bindings is required. After the last dyeing, all the bindings are removed and the yarns are ready for weaving. |
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Kammu |
House |
Kang |
Province |
Ketpisade |
Zone |
Kha Fai |
The process of sizing or starching of thread. This process is used to make the thread less fluffy. It stops the thread from breaking easily while being used for weaving. |
Khan |
Silver stem bowls |
Khen Fai |
The process of spinning used on the making of refined cotton thread |
Khene |
Small piped instrument |
Khlui |
A type of bamboo flute |
Khon Sai Feua |
The process of setting the warp threads. Before the threads are set on the loom, they are set on a frame called a feua, hence the name for the process. |
Kit |
The term applied to continuous supplementary weft in northern Thailand and Laos |
Kuak Fai |
The process of winding the thread onto a wheel to be bundled for storage or to be used immediately. |
Kumpang Nakon |
Municipality |
Kuti |
Living quarters |
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Lamet |
Village |
Lao / Laos /Lao PDR |
Used interchangeably |
Lor Fai |
Rolling. The fluffed out fibres are rolled out by hand, to be made ready for use. |
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Maw lam |
Repartee |
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Nyom Fai |
The dying of cotton thread before it is used for weaving any textiles. |
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Oh Tum |
Silver bowls |
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Pha Lak Pha Lam |
Dance drama based on the Hindu Ramayana epic |
Phi |
Spirits |
Pi |
Reed pipes |
Pia Fai |
The process of winding in the making of cotton thread. |
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Rbaang |
Button-gongs |
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Saa |
The bark of a mulberry tree |
Sim |
Main building in a Wat compound and contains an important Buddha image |
Sin / Sinh |
Traditional skirt worn by women |
Songthaews |
Songthaews are pick-up trucks with benches. They are used for long-distance and local public transport. |
Suling |
A type of bamboo flute |
Supplementary weft |
Decorative weaving techniques in which extra ornamental weft threads are woven into a textile between two regular wefts to create patterns additional to the ground weave |
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Tbu’ |
Shaman’s horns |
That |
Stupa or shrine housing Buddhist relics |
Tinsin / Tinsinh |
Traditional skirt worn by women with lower borders or foot band |
Tmheek ram |
Bamboo tube dulcimer, a string instrument |
Toot |
Vertical and transverse Flutes |
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Warp |
Parallel threads that run longitudinally on the loom or cloth |
Wat |
A Buddhist Temple |
Weft |
Traverse threads in a fabric that cross and interlace with the warp elements |
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Yaan |
Bronze kettle-gongs |